Christine is a 2016 bio-pic about manic determined newscaster, Christine Chubbuck, who shot herself live on air in 1974.
What’s brilliant about Christine is organic way it makes some characters in the film come off a sinister way, based on Christine’s mannerisms, when in reality everyone is just trying to help. It never tries to make Christine into a victim but presents the evidence of her own insecurities as a shining result. Though things get over whelming, unfortunate and laborious for Christine, the movie begs for her to step outside of herself and “see the bigger picture”. Things build up for Christine without any intake of insight and expansive reflection. Whether or not any of the depictions are accurate to the real life circumstances of real life Christine Chubbuck is unknown, but the film creates an important character study of plausible human behavior. And when it gets to the ever so anticipated, heart-stopping trans-gressive climax, it’s handled realistically without sardonic overtones or melodramatic fallacies.
Christine has uncanny touches to David Flincher’s signature style; IE – Zodiac, of creating a sense of dread, but the films atmosphere is extremely straight forward and naturalistic, and if there’s any misconduct, it’s because Rebecca Hall’s performance alienates her world’s intentions.
Rebecca Hall unflinchingly takes hold of Christine Chubbuck and explores the troubled possibilities and apparent neurosis of Christine, using Christine’s infamous speaking voice to expose even further the cognitive emotional battle bubbling underneath her. With Rebecca’s naturally awkward and quietly anxious acting style, she’s able to congruently parallel the pressure of a fast paced newsroom both athirst and unpredictable like an ulcer, which ironically plays an important role throughout the movie. This is Rebecca Hall at her best, honing her talents to conjure the most absorbing performance of her career - Absolute perfection.
The soundtrack is nostalgically amazing and isn’t featured ironically, just appropriate to the times; but displaying the idea of music (especially in a time like the 1970’s) being the one release in where people were free of thought and “man-made” pressure, and were allowed to be who they really are when they were alone.
Christine is one of the few bio-pics that simultaneously portrayed a real person’s life while making a point about stress, self indulgence, western civilization and the importance of self preservation. It cultivates the TV broadcasting experience in all its hyper glory of local and national awareness and spectacle, conjuring a disturbing tone within the lived through past of an actual era, the 1970’s, all thanks to thoughtful director Antonio Campos.
- - Maurice Jones